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BUT IN DEATH, YOU HAVE A PURPOSE. COME, NAN. EMBRACE DEATH.

SHE BELONGS TO THIS PLACE NOW. YOU CAN'T HELP HER NAN. YOU CAN'T HELP ANYONE. YOU CAN'T EVEN HELP YOURSELF.

Nan looks over. Anna's bloodied hat lies by the two obscured figures -- one sprawled on the floor against the wall, the other dark, kneeling over the first. It appears the black cloaked figure is doing something to the other with its hands.

Nan steps outside into the hall.

Nan peers into the bathroom, but there is no one there. She calls out, but there is no response.

Nan wakes up.

The world gets blurry as Nan becomes aware of a strange sensation on her cheek.

Pablo. What did you do? He says he made a mistake It wasn't supposed to be like this But now you're back Now he has a second chance And he is going to make you live forever.

There is no door to the hallway Nan just came from. Nan quietly says Pablo's name, hoping to get a response. Immediately he snaps up, pulling his head away from his hands, which are soaked with blood. He stares at Nan for a long moment, then begins to speak. His voice is shaky and breaks...

Nan suddenly bursts through the doorway and emerges in a cold white room full of light. Pablo is here. He is making soft sobbing sounds.

As she runs toward the light, Nan takes one quick glance over her shoulder.

Those splatters didn't use to be there....

Nan runs towards the light. The darkness begins to recede behind her as the narrow doorway rushes up. The faint, soft sound of crying hangs almost placelessly in the air.

Nan stops for a moment and watches. She quietly calls out "Hello?" The figure on the floor has definitely noticed her. Something about the room's atmosphere changes very suddenly. Something on the canvas moves.

Nan peers into the next room. There are six more canvases here. Only one bears a silhouette. And... something else.

Nan is in a strange place. There are no real furnishings around except for these tall, strange installments that look like badly stretched canvas. She stands in a long, darkened white hallway that leads to a larger but just as unfurnished room on one side and a narrow doorway on the other, from...

Nan wakes up.

Nan dreams of blood and sweat, and darkness. Nothing seems to form completely.

Nan shrugs and gratiously accepts the offer of the bed. Understandably, the lights are going to be staying on. But that will be the last thing keeping her up. And yet, settling in, Nan realizes how tired she really is. She lies down, closes her eyes, and tries to sleep.

With Anderson and Kim taking first shift, Nan offers to take the final shift with Henry, who agrees. That leaves Anna and Pablo in the middle shift. They accept as well. Kim rises from the bed and offers it to the others, but everyone is too polite to take the bed. It's Nan's if she wants it.