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Below is a dirty, old elevator shaft. The elevator car sits at the bottom. But given the proportions, it doesn't feel like the same elevator. Nan walks over and asks Anna what she's doing, but Anna is too busy with her work to respond. A voice comes from below, distant and echoing. The...

Nan reaches forward and tries to chip off a piece of the dark mark on the wall. Something doesn't feel quite right.

Nan waits until the elevator reaches the ground floor. It chimes once. The doors open. The lights appear to be on out in the hall. The marking is dark, its texture aged and mottled. On closer inspection, it almost seems to be a mottled burn mark.

Nan says hello, but there is no response of any kind. She says Anna's name, but still, there is no response. The elevator passes the SECOND FLOOR without incident, and chimes once.

The elevator begins to move, descending slowly. Nan pokes the strange mark with her LEAD PIPE, but it's just like poking the wall. The elevator stalls for a second, then continues downward.

On the wall of the elevator is a figure vaguely resembling a person. It is marked directly on the surface, and its texture is worn, aged, unevenly speckled. Whether it's been painted or otherwise imprinted is not clear.

Nan slams the button for the GROUND FLOOR.

Nan flees to the elevator.

Nan backs away slowly. The Padre begins to run.

Darkness covers the hall as the lights go out one by one. Nan glances to the elevator, considering her options. One light is left on.

Something appears to be blocking the stairs.

Nan's modes of exit are quickly narrowed.

Nan hesitates, and attempts to greet the Padre.

Nan shines her FLASHLIGHT. The result is not entirely as expected.

The lights at the end of the hall have gone out.

Nan heads for the Elevator. Perhaps the ANASAZI LOUNGE is on the second floor.

Nan takes the items and steps out into the THIRD FLOOR HALLWAY. Where to?

Nan decides to head out on her own, as Kim seems set on staying here. Anderson offers her a LEAD PIPE as a weapon. Scrounging through the drawers, she recovers a FLASHLIGHT.

Nan takes the ANASAZI LOUNGE KEY from Kim. Kim says Nan can go, but she's staying here where she's been safe for the past several days. Besides, she still has no idea where the lounge is. Anderson says he doesn't want to leave either of them alone, but clearly he'll have to choose who to...

Nan says rescue is not coming. Nothing here seems certain, but that's about as sure as she can be about anything. Nan asks if anyone has keys. Most of the rooms appear locked or barred. Kim says she has a key to something called the Anasazi Lounge. She found it in her room, when she first got...