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Nan's arm was bitten hard enough to draw blood, and she has some rough scratches. She is badly shaken, but mostly unhurt. Nan has no intention of making any kind of physical contact with him, but despite the fear and anger rushing through her, something in Santiago provokes a reaction. Nan...

Henry throws Santiago and he collapses into the chapel's single pew. Nan and Henry keep their respective weapons at the ready, watching him. He breathes raggedly, deeply. Nan asks him questions, but he stares with glassy eyes, not responding to her queries. He says Nan needs to leave it...

Santiago suddenly lets go of Nan. Henry says that if he ever touches her again, he'll break his neck.

Nan stomps her heel down hard on top of Santiago's foot, and he howls in pain. Rather than releasing her, his grip grows tighter. His ragged, unkempt fingernails dig into her skin. Nan claws back, kicks him in the knee. Santiago cries out.

Santiago bites Nan's arm. Nan tries to headbutt Santiago, but he's too close for it to be very effective. Nan reacts quickly, slamming her knee into Santiago's groin. He barely reacts.

Nan goes for her lead pipe, but he overpowers her. Grabs her wrist. Santiago bares his teeth. Scowls. Disobedient child Bad little girl If you won't do as your told then you'll have to be punished

Nan says she has not intentionally attacked the hotel in any way she was aware of. But she has fought, and she will continue to fight for her survival. If this place is truly freedom, she says, she should have the freedom not to go quietly into the darkness. Santiago growls, then roars. He...

If you insist on bringing light to the darkness, realize you won't always like what you find Some things are better left in the dark, Nan Some things should never be brought to light If you continue to work against the hotel, it will retaliate in kind And you will put us all in the line of...

Listen to me, you little b**** Obviously you didn't take the hint last time So let me spell it out for you You are ruining things here The hotel can abide a guest or two, but if you attack it, as you have been doing, it will defend itself with violence It will fight back And it will win...

Nan enters the Chapel to examine the book on the podium.

Nan peeks through the tunnel behind her. Henry is still following, waiting for Nan to go through. Nan relays what she sees, which includes a podium, single pew, cross, and stained glass window. Though there is clearly something wrong with the window. Henry confirms, and suggests it's almost to...

Nan has entered the CHAPEL.

Nan crouches down and crawls through the narrow tunnel. Henry follows close behind, keeping one hand on Nan's ankle to maintain physical contact.

Nan shines the flashlight into the hole - from a safe distance. It's a short tunnel, perhaps six feet deep, and narrows a bit near the end. It's unobstructed. There appears to be a room on the far side. Nan can't make out much from here, save what could be wooden furniture. A bench, perhaps.

The tacky, red substance on the canvas comes off on Nan's hand. It's paint.

While Henry checks the bathroom, Nan pulls the large canvas out a little, checking behind it. But there's nothing but a blank wall and the wood-braced back of the canvas. Henry says the bathroom is empty.

No sign of Pablo. But Nan's seen this before. A tall, flat canvas streaked red. The light switch doesn't work. The lights are broken. Not shattered. Melted?

Nan and Henry open the door to Room 117.

Nan says she needs to find Pablo. Even some trace of him.

Henry gives Kim and Anderson most of the supplies he gathered from the boiler room, and they head back to the safe room. Nan and Henry head to Room 117. Nan asks Henry if he knows where the Anasazi Lounge is, and he says it might be on the second floor, since he hasn't seen any entrances like...